Metafiction is a very popular genre in Iran because of its unfamiliar nature. But a large number of texts published in Iran as Metafiction, just focus on the mefaliction form and don’t represent postmodern experiences. Novel as as a reflective media, has to be integrate
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Metafiction is a very popular genre in Iran because of its unfamiliar nature. But a large number of texts published in Iran as Metafiction, just focus on the mefaliction form and don’t represent postmodern experiences. Novel as as a reflective media, has to be integrated with its own Zeitgeist (spirit of the times) to be able to analyze the issues of contemporary life and culture of the society. Therefore, metafictional techniques must match the postmodern concerns and current issues in the postmodern societies so that the form and content confirm and reinforce each other. In this article, Metafiction and its components have been reviewed based on theorists’ views in the field. Then, the metafiction components in “Mim-e-Aziz” have been analyzed and the postmodernist contents of this novel is explained. The results show that this novel could successfully create a coordination between content and form through combining the two categories of literary criticism and fiction, creating uncertainty, ontological content, linguistic prominence, and also paying attention to the concept of postmodern family. Different types of families have been presented in “Mim-e-Aziz” to change the concept of Nuclear Family that has been considered the only normal form of family in modernism so that the existing chaos and irregularity in contemporary society is represented.
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